The beautful Serena
stamp as showcased by Judy Cantrell. How did Judy get Serena's lips so
luscious in the card at right? Judy says that after stamping Serena in Archival Sepia dye on clay-coated glossy cardstock (Kromekote Plus Cover) and letting dry, she colored the lips with watercolor crayon and a portable brush.
Nancy VanTassell stamped the Just Married stamp A sweetie from Thank Heaven, by
to make a great wedding
card.
Brenda Ross
This
card is fun! Kim Diett used the
Jayne Thank Heaven For Little Girls by
Mansfield image from Fabulous Faces. Wanda Hentges
Judy Cantrell's renderings of The Madonna
Lena Lillesund's Madonna
inspires!
As does Patti Gramza's Serena!
Judy's Cantrell's granddaughter Andrea Blue Flapper by Sue Soules
Blackwell made this Ophelia card with the
Beguiling Texts as background.
Barb Hache used images from the It's a Dog's Life plate to make these beautiful cards.
Barb's Portrait of a Lady
The Wedding, by
Lori Roberts, uses an
image from the Mon Amour stamp plate.
Lori Roberts' salute to Marie of the Royal Russian Family and her Mary and Child card.
Ooh Baby! cards by Renate Rietveld
Just a Note from Louis! By Rosemary Reid. The quote under Dietrich's image comes from
the Show Biz Quotes plate. These are both from the Fabulous Faces sheet of stamps, as is the image Rosemary used below.
Belinda Martin's cards show off images from Portrait of a Lady. Above right also has Opening Night. To see more of Belinda's projects stamping these faces on stones, click here.
Two by Lena Lillesund. Left, from Portrait of a Lady, and right, Camelia
Below, Lena's Audrey
Kim Diett's Louis Armstrong from Fabulous Faces
A
belated birthday card (in
Norwegian!)
Kari made the background for Louis Armstrong
by Kari Asdal from the Ooh Baby!
plate
by combining Luna Lights with shaving cream.
After stamping and coloring The Ballerina,
Judy Cantrell colored the stamped image
Cindy
Roland just added stickers to
finish
from The Madonna sheet with watercolors.
her
card.
Instructions here.
Little Angel, by Kari Asdal. Below, Kari's version in pink!
Julie Kosolofski used the bargello technique of cutting Be My Honey? By Judy Cantrell
strips of paper, gluing them vertically and then cutting
again into horizontal strips to make a whimsical back-
groundthese two critters from the Passage to India
stamp plate.
Pam Barnes reports that she chose the pink and yellow for this card of
The Supremes because it was Diana Ross's favorite color combo for
the costumes. The card just sings!
Two cards using an image from the Won't You Be My Honey? plate. The one at
left is by Angelica Basso and the one at right by Jane Clark of Stampabit, Australia.
Would you ever guess that these beautiful collage book covers were made
by newbies to stamping?! Nosiree Bob, but it's true! Bev Leaf made the
one at left and Nancy Lee the one at right in a class taught by Jan
Richie. They used Maude as their central image.
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