Judy Cantrell's glass necklace has a Flapper on the front and a photo of Judy's grandmother as
at age 16 on the back. Below, Judy's ornament has a heroine on each side. Right, Pam Barnes' Peace and Love card features the Christmas Angels.
Debora's collage uses Ophelia as a focal point.
Donna Tavares' bracelet combines beading with the Shakespeare Heroines on shrink
plastic.
Patti Gramza had fun altering a book and using Ophelia as a romantic element.
Judy Cantrell stamped the woman from Won't You Be My Honey and created a vase out of Sculpey clay, adding dried flowers from her garden! The quote is from LennaLines.
Norwegian stamper Kari Asdal used the Not Again! stamp, above, with her own sentiment, which says, "According to your birth certificate, the warranty on your body has expired!"
Above, left, Kari used the Five Sisters in an Ellis Island collage and at right, shows off the two sizes of Ophelia in a simple and lovely collage also by Kari.
Nathalie Raynaud makes remarkable jewelry and boxes from clay. Here, she used the French Playing Card stamps on a card (with a Medieval stamped background) and stamped them in clay to cover an Altoid tin and to make a brooch with.
Here's a close-up:
Leona gave Portia a crackled look using Ultra Thick Embossing powder and gave her an elegant frame.
A quartet of dreamy cards by Ingrid Christofferson, using as centerpieces images of the My Honey and Portait of Lady stamp plates.
Beverly Robinson's Flappers above, and an altered book she made using Ophelia
Julie Kosolofski's Flappers are
a terrific example of how to get impressive results by simply stamping a
photo image in dye ink on glossy cardstock in a color like brown and then
simply layering it over interesting background papers.
Donna
Tavares made this beautiful beaded polymer clay cabochon with one of the
original Shakespeare Heroines (this particular gal isn't on the current sheets
but she'll be back). Donna used Stazon ink, baked and colored with pencils
and fabric pens. The frame is peyote beadwork and some fancy netting.
Laura McKeag transformed a composition notebook into a collaged piece with an image of the man from the Ellis Island plate as a focal point.
